What If There Aren’t Any More Streaming Music Subscribers?

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In about one month’s time, we’ll know how many people are willing to pay for Apple Music.  That number is absolutely critical to the future of streaming music, a sector that is proving ineffective at getting enough people to pay.  According to the latest data released by Recording Industry Association of America (RIAA), paying subscribers increased just 2.5 percent in the past year, to 8.1 million by the mid-point of 2015.

The stat bears repeating: paying subscribers only increased 2.5 percent in the past year in the United States, the largest music economy in the world.

Streaming_revenue-breakdown_2014_RIAA

The question is critical, because without more paying subscribes, there really isn’t a sustainable streaming music business.  a quick look at the data shows that paying subscribers contribute disproportionately large amounts of revenue: in fact, 73 percent of all streaming music revenue comes from paying subscribers (for year 2014).  The remaining 27 percent comes from advertising, or ‘freemium,’ which means that most users are contributing very little revenue to companies like Spotify.<!–/*
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And without more of these paying people, there isn’t a sustainable streaming music industry.

Can Apple save this situation?  Maybe, but for most users, there are just way to many free options, starting with YouTube, SoundCloud, and iTunes podcasting.  According to a report this morning in the New York Post (for what it’s worth), Apple Music now has 15 million people trialling their service, with 7.5 million of those not disabling the automatic rollover setting into paid accounts.

So if every single one of those 7.5 million people ended up becoming long-term subscribers (beyond one month of realizing they’re getting charged), then the US-based streaming music industry just doubled its paid subscriber total.  The more realistic number, however, is probably much lower than that.

The post What If There Aren’t Any More Streaming Music Subscribers? appeared first on Digital Music News.


Source: Industry News

The Major Labels Are “Clueless” and “Ruined Every Aspect of Their Business,” Says Arcade Fire Frontman

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…from an interview with Arcade Fire’s Win Butler, published this (Monday) morning by the Independent.  Butler was one of the  original artists involved in the launch of TIDAL.

On the ill-fated TIDAL ‘poor millionaire artist’ media disaster…

“None of the artists knew anything about the PR.  It was a poorly managed launch, but conceptually the thing that we liked about Tidal was that it’s HD streaming quality.”

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“They dictated that Tidal has to cost $20.  The major label music industry has completely ruined every aspect of their business. At every step of the way they’ve had the tools offered to them to create an industry that works, and they’ve completely blown it.

That’s why we never had any interest in signing a contract with one of these companies because they’re clearly completely clueless.”

On that strange feeling sitting with artist royalty…

“It seems silly, for fear of being embarrassed, to not at least sit at the table with Jay Z, Kanye and Daft Punk and talk about art and music and how it’s going to be distributed.”

The post The Major Labels Are “Clueless” and “Ruined Every Aspect of Their Business,” Says Arcade Fire Frontman appeared first on Digital Music News.


Source: Industry News

Aurous, the ‘Popcorn Time for Music,’ Is Now Crowdfunding for Cash

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Last week, Aurous revealed plans to develop a BitTorrent-enabled music application, essentially the music equivalent of Popcorn Time.  “The app itself is decentralized, nothing routes through any external servers for the primary features,” developer Andrew Sampson told Torrentfreak.  “Even if as a project, development stopped and we shut down our website, the app would still continue functioning without any problems.”

“It can look through entire BitTorrent archives in milliseconds to get individual files.”

Now, Aurous is pitching for cash, with an initial goal of $25,000 to get the ball rolling.

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// ]]>In just the first few hours, the music industry’s next public enemy number one has raised nearly $500, or 2 percent of that goal.  It’s unclear if the music industry powers-that-be, including the Recording Industry Association of America (RIAA) are taking any steps against Aurous (we’re awaiting response), or, if they’re even aware of it.

Just recently, the RIAA coordinated with the FBI and other authorities to shut down highly-trafficked file-sharing site ShareBeast.

The post Aurous, the ‘Popcorn Time for Music,’ Is Now Crowdfunding for Cash appeared first on Digital Music News.


Source: Industry News

Introducing the Popcorn Time for Music: Aurous

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Popcorn Time is public enemy no. 1 for Hollywood, with splinter versions still alive and delivering movies despite a ‘shutdown’ back in March.  Because it’s easy to smash a bunch of servers, but virtually impossible to wipe a codebase.

Now, the concept of a BitTorrent-backed media application is coming to the music world.  It’s called Aurous, and it’s based on a BitTorrent-backed search engine called Strike Search.  “What sets Aurous apart is its ability to allow users to search for music, all over the BitTorrent network, using the very same technology that powers Strike Search,” concept developer Andrew Sampson told Torrentfreak.

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“Even if as a project, development stopped and we shut down our website, the app would still continue functioning without any problems.”

All of which means that regardless of what happens to Sampson, the project could easily expand with a life of its own.  “The app itself is decentralized, nothing routes through any external servers for the primary features,” Sampson continued.  “Even if as a project, development stopped and we shut down our website, the app would still continue functioning without any problems.

“It can look through entire BitTorrent archives in milliseconds to get individual files.”

By comparison, Grooveshark managed files from a central, controllable location, which made it identifiable and liable for massive copyright infringement.  The major labels not only knew the location, they knew the executives, and executed both.  Aurous, by stark comparison, could quickly become a wild, untamed entity, much like Popcorn Time and the Pirate Bay today.

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(Spotify licensing costs, 2010-2014)

It may also offer serious competition for Spotify, a company that has a clean, curated catalog but still has to properly license every last song.  BitTorrent, of course, has none of the same requirements, which makes a clean, streamable torrent presentation a very, very scary possibility for the music industry.

Aurous, available currently at aurous.me, remains in alpha-stage development.

The post Introducing the Popcorn Time for Music: Aurous appeared first on Digital Music News.


Source: Industry News