8 things every musician should know about Global Release Day

What musicians should know about Global Release DayWhat will Global Release Day mean for YOUR music?

All over the world, the music industry is shifting towards a unified “Global Release Day” in order to deter piracy, avoid fan confusion, and help coordinate marketing efforts across multiple territories.

Instead of album and single releases coming out on Monday in the UK, Tuesday in the US, and so forth — new music will now be released worldwide on Fridays.

Here’s a few things to note about Global Release Day:

1. The first Global Release Day will happen on Friday, July 10th. June 30th will be the last Tuesday street date in the USA.

2. In most regions, new music will become available on Fridays at 12:01am local time.

3. Music retail sales will be reported daily, including sales on cdbaby.com. Both Nielsen (Soundscan) and Border City Media now use a daily sales reporting system.

4. Tour sales can be reported by labels on a weekly basis (since filing sales reports on a daily basis is often difficult when touring). Venue sales must be reported on Thursdays by 3pm, based upon a new venue reporting week of Thursday-Wednesday.

5. Direct-to-Fan sales from your website can be reported weekly as well, as long as they’re submitted on Fridays for the preceding Friday-Thursday period.

6. Vinyl Tuesdays is still a thing. According to A2IM,  “Independent retailers will continue to report on a Monday-thru-Sunday week as they launch their Vinyl Tuesdays sales program. Vinyl Tuesdays is an opportunity for Independent Retail to drive traffic to stores on an additional day of the week, as well as highlight key vinyl releases with a dedicated street date.”

7. Digital retailers such as iTunes and Amazon are on board to support Friday as the new standard release day.

8. You can still release new music any day you like. If you own your recording, you decide when you want to make it available for sale based on what’s best for you and your fans.

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Will these changes impact your next release? If so, how? Let us know in the comments below.

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“Apple Music could be great for indie musicians”

Apple Music for independent musiciansTracy Maddux, CD Baby’s CEO, wrote a piece for Billboard about the positive impact Apple Music could have on the independent music economy.

Tracy makes some good points in the full article (check it out HERE), but the part that interested me most was his take on what success for Apple Music would look like in terms of subscriber numbers:

Apple and more importantly artists don’t need all 500 million iPhone users or 800 million iTunes users to buy to make this a huge success. If only 5 percent of iTunes users tune in, subscribe to a trial period and sustain their $10 per month, the results will be industry changing. Apple Music will have attracted 40 million paying subscribers paying $4.8 billion dollars per year. That’s double what we estimate iTunes sold in downloads last year. Astounding. It’s also double Pandora and Spotify’s gross 2014 sales… combined.

For more about Apple Music’s impact on independent musicians, check out:

1. Podcast: What Artists Need to Know About Apple Music

2. How much of Apple Music’s subscription revenue is being paid back to rights owners?

3. Four kinds of royalties you can earn from Apple Music

4. What effect will Apple Music have on the music industry?

5. How to claim your Apple Music artist profile through Connect

6. How do I get my music on Apple Music?

7. Apple announces Apple Music, the new streaming service

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A Musician’s Guide to Patreon

Patreon: a guide for musicians[This article was written by Dave Kusek, founder of the New Artist Model, an online music business school for independent musicians, performers, recording artists, producers, managers, and songwriters. He is also the founder of Berklee Online, co-author of The Future of Music book, and a member of the team who brought midi to the market.]

Crowdfunding has become an incredible tool for musicians and marks a huge step towards independence. But there’s still one problem with a lot of crowdfunding platforms like Kickstarter – they are very much project based. In other words, you do a campaign, raise some money, and then it’s done. It’s not a sustainable, steady, and reliable form of income, and when it comes down to it, that’s what independent artists today really need in order to maintain their careers.

If you’re looking to establish a more regular stream of income to supplement the money you bring in from music sales and gigs, Patreon is a great option.

Establishing a regular income stream

In the music industry, there are traditionally only a few products that fans can buy – albums, songs, merch, and concert tickets. All of these products are usually under $100 and fans can only buy your albums, songs, or tickets when you happen to be on tour or releasing a new album.

The problem is, there are some fans who would pay to support you more often if they had the chance, and they would pay more. By sticking to the traditional products I just mentioned, you’re limiting your income, and you’re tying yourself into an irregular income stream.

With Patreon, you can give your fans the opportunity to support the content you’re already releasing on a regular basis. A lot of artists are releasing regular cover videos on YouTube, remixes on Soundcloud, and even original tracks in between their album releases, and they’re doing all of this for free.

Keep in mind though, that Patreon isn’t a subscription service or pay wall. All of your fans will get access to the music, videos, and covers you release on YouTube, Soundcloud, Facebook, iTunes, or your website. Patreon just gives your fans the option to support you for it. Ultimately, Patreon is really about empowering your superfans to support you and the content they love.

With Patreon, any payments your fans donate are recurring every time you release new music. In other words, every time you release a new song, music video, or remix, your fans will pay a small fee depending on which tier they choose.

Empower your superfans

To thank people for going the extra mile to support you, you create different reward tiers with cooler and more exclusive rewards for people who contribute more. With this tiered approach, you’re essentially giving your super fans and your more casual fans options to fit their budget.

Generally, your lower end rewards will be more popular, so they should be scalable and easy to fulfill in large numbers. Things like an mp3 download of all your songs or early access to your new songs or music videos could be your $1, $3, or $5 reward. As you go up the ladder, your rewards should get more personal and exclusive. For example, Amanda Palmer gives her top tier patrons the chance to talk, hangout, and have dinner with her regularly in exchange for their support.

As you can see, Patreon can be an incredible tool for indie musicians. In the New Artist Model online music business programs you’ll learn how to turn your music into a successful business – a business where you are in control! You’ll create an actionable and personalized plan that will help you achieve a career in music, and you’ll be able to do it all with the resources you have available right now.

If you’d like more strategies like these, you can download this ebook for free. It will take you through some of the best strategies for indie musicians to help you grow your fanbase and your career.

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Source: Musician Resources

7 signs your music grind is finally paying off

How to know when your music grind is paying off[This article is written by guest contributor Brandon Waardenburg, founder of artist coaching service Apparatus.]

The lustre of performing live can die pretty quickly.

When you’ve seen more dive-y bars than you’ve seen daylight hours.

When you step in yet another unidentifiable sticky object on the bar floor.

When the door man stiffs you $100 because he can’t count heads.

Truthfully, any activity can turn into a grind no matter how intentional we are about keeping focused.

The Mystery

My good friend Zach has a folk band that has played about 2-3 gigs a month for more than 2 years now. They’ve been through some bandmate changes and more than their share of ups and downs, figuring everything out as they go.

They’ve played at small empty venues and they’ve played big venues that were busting at the seams. Kudos to him and his mates for sticking it out this far.

Just recently a few more interesting doors began to open. They found themselves…

1. Getting some radio air time

2. Playing more unique shows

3. Gaining different types of fans

4. Seeing their name in print

… and, like any good analytical person, Zach was digging in, trying to figure out what changed.

He called me up the other day and I could sense a little excitement and intrigue in his voice.  He stammered on about his band’s new trajectory and the mystery of not knowing why it changed.

The only possible answer is that his grind was finally starting to pay off.

So we dug in a bit more and called out the differences between today and yesterday. All in all, a very inspirational exercise.

How you’ll know when your grind is starting to pay off

Here are those glimmers of hope that means your grind as an independent artist is finally starting to pay off, transitioning you into a new era in your music:

1. You’re landing higher profile gigs

Higher profile doesn’t necessarily mean more people, rather it’s the types of gigs you’re getting. These gigs might mean you’re getting time and space on radio advertisements, newspaper print and reviews, or they’re taking place at more upscale venues. It might mean you’re playing for a great promoter, or sharing the bill with bigger bands. The best part about these higher profile gigs is that they give a better chance of you rubbing elbows with influential people.

2. You’re booking further in advance

Shortly after your band’s conception you booked only weeks (maybe days) in advance but now the demand is getting higher and you’re forced to book further ahead (at least 4-6 months). Because of your exceptional networking abilities you have enough contacts (venue, other artists, promoters, etc.) that you’re booking well into the future now.

3. You’re getting fill-in opportunities

You’re getting calls from other artists to fill in or join them for a gig. This also speaks to your networking ability and your ability to build relationships. The music scene is a community and you’re contributing by building strong relationships. Nicely done.

4. Your contact list is bulging

When you open your Rolodex dozens of names pop out at you, each linked to interesting opportunities. If you give a few of them a call (and you should be from time-to-time to keep your contacts “warm”) there’s a good chance you’ll land a few shows. Don’t stop now though, networking never ends  Keep getting at least one name from each show. For more on networking, dive into “Building Music Relationships You Can be Proud Of.”

5. Your mailing list is responsive

You put an email out to your list and something actually happens. The size of your list doesn’t really matter at this point, responsiveness is what you’re after. This could be a) they buy your products, b) they forward your emails to their friends or even c) they hit reply and send you a personal message. Indie artists often underestimate the last one. But think about it this way, you’ve cultivated a relationship in which someone feels comfortable emailing you directly. That’s no small feat.

6. You get sincere “I’ve heard you guys before”

When you tell people about your band they tell you they have sincerely heard of you before – usually in a positive way. I say sincerely because in the early days people are always like “Cool, I’ve heard of you before…” with a forced look on their face, and you know they’re just saying it just to be nice. Gone are the days of forced empathy.

7. You’re gaining more “word of mouth” fans

When people come up to you after a show, join your mailing list, or follow you on social media, they tell you they heard about you through Facebook, Twitter, a friend, or through a recent  publication and came to check you out. The really great part of this is that people are talking about you (…people are TALKING ABOUT YOU!)

The hard work isn’t over

It’s great to see your hustle paying off, but now isn’t the time to take your foot off the gas. Momentum is an artist’s best friend so use it to your advantage and work harder now than you ever have.

Want more tips like this from a community that grows independent music careers every day? Join our mailing list.

Let’s keep the discussion rolling.  Has your momentum plateaued before? How did you get it back? Let us know in the comments below.

About the Author: Brandon Waardenburg is the founder of Apparatus (an artist accelerator providing music advice and coaching to independent artists and DIY musicians) as well as a musician, songwriter, “musicpreneur” and consultant. After receiving his music degree back in 2011 he began working alongside independent artists, songwriters, producers and engineers in their quest to retain creative control and grow their careers like heck. Sign up for his free email newsletter here and get open-source ideas and actionable advice for your career.

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